% This file prints Bach BWV 827, movement 6. Gigue \version "2.10.33" \header { title = "Keyboard partita in A minor" composer = "Johann Sebastian Bach" opus = "BWV 827" mutopiacomposer = "BachJS" mutopiainstrument = "Piano" source = "Bach-Gesellschaft Ausgabe 1851-1899 Band 43 (1894)" sourceurl = "http://imslp.org/wiki/Notebook_for_Anna_Magdalena_Bach_(Bach,_Johann_Sebastian)" sourceurltwo = "http://world.std.com/~swmcd/steven/music/bach/Bach-AnnaMagdalena1725.pdf" style = "Baroque" copyright = "Public Domain" maintainer = "Steven McDougall" maintainerEmail = "swmcd@world.std.com" maintainerWeb = "http://world.std.com/~swmcd/steven/" footer = "Mutopia-2008/05/18-1080" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } % Acknowledgments % % Wolfgang Suppan \include "english.ly" bc = % bass cleff { \change Staff = lower } tc = % treble cleff { \change Staff = upper } bcu = % bass cleff, stem up { \change Staff = lower \stemUp } tcn = % treble cleff, stem neutral { \change Staff = upper \stemNeutral } sd = { \stemDown } su = { \stemUp } sn = { \stemNeutral } \score { \new PianoStaff << \new Staff = upper \relative c' { \clef treble \key a \minor \time 12/8 \repeat volta 2 { \partial 8 e8 | a,8 c e a gs a b, d e a gs a | % 1 c,8 e gs a b c d, c' a bf d a | % 2 << { gs4. ~ gs8 fs g a4. ~ a8 b c } \\ { \bc e,, gs b \tc e ds e \bc fs, a b \tc e ds! e } >> | % 3 << { b'4. ~ b8 ds e c2. ~ } \\ { \bc g,!8 b \tc ds e fs g a, g' e f a e } >> | % 4 << { c'8 b a b fs' a, ~ a g fs g4. ~ } \\ { ds4. ~ ds8 cs ds e4. ~ e8 b d } >> | % 5 << { g8 a g a e' g, ~ g f e f4. ~ } \\ { cs4. ~ cs8 b cs d4. ~ d8 a c } >> | % 6 << { f8 f e f d' f, ~ f e d e d' e, } \\ { b4 c8 b4 \bc \su a8 gs4 b8 gs4. } >> | % 7 << { c'4. ~ c8 b c d4. ~ d8 e f } \\ { \bc \su a,,4 \tc \sd gs'8 a4. ~ a4 gs8 b4. ~ } >> | % 8 << { e4. ~ e8 gs a f2. ~ } \\ { b,4 e,8 c'4. ~ c4 cs8 d4 c8 } >> | % 9 << { f8 e d e b' d, c2. ~ } \\ { b2. r8 a e c e a } >> | % 10 << { c8 a fs a fs d b'2. ~ } \\ { d,8 r r r4 r8 r8 g d b d g } >> | % 11 << { b8 g e g e c a'2. ~ } \\ { c,8 r r r4 r8 r8 e c a c e } >> | % 12 << { a8 fs ds fs ds b g'4 e8 e'4. ~ } \\ { b,8 r r r4 r8 \override Tie #'staff-position = #'-5 g'4. ~ g8 fs! g } >> | % 13 << { e'4 ds8 fs4. ~ fs8 e fs g4. ~ } \\ { a,4. ~ a8 b c b4. ~ b8 ds! e } >> | % 14 << { g4 gs8 a c g fs2. ~ } \\ { c2. ~ c8 b a b fs'! a, } >> | % 15 << { fs'8 e ds e4 b8 e2. ~ } \\ { g,2. ~ g8 a g a e' g, } >> | % 16 << { e'8 d cs d4 a8 d2. ~ } \\ { f,2. ~ f8 g f g d' f, } >> | % 17 << { d'8 c b c4 gs8 a4. ~ a4 a8 } \\ { e2. ~ e4 a,8 d4. ~ } >> | % 18 << { d'2. ~ d8 b' gs e b e } \\ { d,4 a'8 gs b a b4 r8 r4 r8 } >> | % 19 << { a8 c e a gs a b, d e a gs a } \\ { r4 r8 e,4. f4 e8 d4. } >> | % 20 << { c'8 e gs a b c d, c' a bf d a } \\ { e,4 b8 c4 e8 a,4. d4. ~ } >> | % 21 << { gs'8 b! gs e b d c e c a e g } \\ { d8 \bc \su gs, b \tc \sd e gs e a4 r8 r4 r8 } >> | % 22 << { f8 a' f d a c b d b g d f } \\ { \bc \su r8 f, a \tc \sd d f d g4 r8 r4 r8 } >> | % 23 << { e8 e'4 ~ e8 d4 e4. ~ e4 } \\ { r8 r c a4 b8 a4. ~ gs4 } >> } \repeat volta 2 { r8 | % 24 The source has just a single whole rest. r1. | % 25 r2. r4 r8 r r e | % 26 \skip 8*12 | % 27 \skip 8*12 | % 28 \skip 8*12 | % 39 \skip 8*12 | % 30 \skip 8*12 | % 31 \skip 8*12 | % 32 r 2. r 4 r8 r r b' | % 33 e 8 b gs e ds e d'! b gs! e ds! e | % 34 c'8 a f e gs a f d b gs e' d | % 35 c 8 e a c gs a c fs, g c e, fs! | % 36 b,8 d g b fs g b e, fs b ds, e | % 37 a,8 c e a e fs a ds, e a cs, ds! | % 38 g 8 e b g fs g g' e d cs b cs | % 39 fs8 d a s s s fs' d cs b as b | % 40 \skip 8*9 r8 r fs'' | % 41 b 8 fs d b as b a'! fs ds b as! b | % 42 g'8 e c b ds e c a fs << { r8 r b } \\ { ds, b' a} >> | % 43 << { g8 r r r fs' g gs4. ~ \prall gs8 fs! gs! } \\ { e8 b g e ds e d'! b gs e ds! e } >> | % 44 << { a'4. ~ a8 b c d,4 f!8 b,4 gs'8 } \\ { c,8 a f! e gs a f d b gs e' d } >> | % 45 << { a''2. ~ a 2. ~ } \\ { c,,4 r8 r b' c cs4. ~ \prall cs8 b cs } >> | % 46 << { a'2. g 2. ~ } \\ { d4. ~ d8 e f e 4. ~ e 8 cs e } >> | % 47 << { g4 e8 f4. ~ f4 e8 f 4. ~ } \\ { a,4. ~ a4 cs8 d4. ~ d 4 a 8 } >> | % 48 << { f'4 b8 b4 d,8 d4 b8 b 4 e 8 } \\ { d4 d8 d4 b8 b4 gs8 gs4 gs8 } >> | % 49 << { e'8 d c d c b a4. ~ a 4 } \\ { a4. ~ a4 gs8 a e d cs4 } >> % 50 } \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible \override Score.RehearsalMark #'extra-offset = #'( -0.6 . 0.0 ) \mark \markup { \musicglyph #"scripts.ufermata" } } \new Staff = lower { \clef bass \key a \minor \time 12/8 \repeat volta 2 { \partial 8 r8 | r1. | % 1 The source has just a single whole rest. r2. r4 r8 r r a | % 2 \skip 2*3 | % 3 \skip 2*3 | % 4 \skip 2*3 | % 5 \skip 2*3 | % 6 r2. r4 r8 r r e | % 7 \sd a,8 c e \sn a gs a b, d e a gs a | % 8 c8 e gs a b c' d c' a bf d' a | % 9 gs4 b!8 gs4 e8 a, c e a c' a | % 10 fs8 a d' d fs a g, b, d g b g | % 11 e8 g c' c e g fs, a, c fs a fs | % 12 ds8 fs b b, ds fs e, g, b, e ds! e | % 13 fs,8 a, b, e ds e g, b, ds e fs g | % 14 a,8 g e f! a e ds4. ~ ds8 cs ds! | % 15 e,8 g, b, e g e cs4. ~ cs8 b, cs | % 16 d,8 f, a, d f d b,4. ~ b,8 a, b, | % 17 c,8 e, g, c e c f, a, c f a f | % 18 b,8 d f b d' b e gs b e' gs' e' | % 19 c'2. d'4 c'8 b4. | % 20 a4. ~ a4 g!8 f2. | % 21 e4 r8 r4 r8 a, c e a c' a | % 22 d4 r8 r4 r8 g, b, d g b g | % 23 c4 a,8 f4 f,8 e, gs, b, e4 } \repeat volta 2 { b8 | % 24 e'8 b gs e ds e d'! b gs! e ds! e | % 25 c'8 a f e gs a f d b, gs, e d | % 26 << { \tc a'8 e' c' \bc a gs a \tc g'! e' cs' \bc a gs! a } \\ { c4. ~ c8 b, c cs4. ~ cs8 b, cs } >> | % 27 << { \tc f'8 d' bf \bc a \tc \sd cs' d' \bc \su bf g e cs a g } \\ { d4. ~ d8 e f g, r r a, r r } >> | % 28 << { f8 r r r4 r8 r8 fs g b d' f } \\ { d,8 a f d a, c b,2. ~ } >> | % 29 << { e8 r r r4 r8 r8 e f a c' e } \\ { b,8 g e c gs, b, a,2. ~ } >> | % 30 << { d8 r r r4 r8 r8 d e gs b d } \\ { a,8 f d b, fs, a, gs,2. } >> | % 31 << { c8 e f a c' e d fs g b d' f } \\ { a,4. ~ a,8 f, a, b,4. ~ b,8 g, b, } >> | % 32 << { e8 gs a c' e' g f a bf d' f' a } \\ { c4. ~ c8 a, cs d2. ~ } >> | % 33 << { gs4. a ~ a gs } \\ { d4. c b, e } >> | % 34 << { a4. r4 r8 r4 r8 b4. ~ } \\ { a,4. c d e } >> | % 35 << { b8 c e a b c' d' a b fs g a } \\ { a,4 r8 r4 r8 r2. } >> | % 36 << { r8 b, d g a b c' g a e fs g } \\ { g,4 r8 r4 r8 r2. } >> | % 37 << { r8 a, c fs g a b fs g ds e fs! } \\ { fs,4 r8 r4 r8 r2. } >> | % 38 e,8 g, b, e ds e a, cs e a gs a | % 39 d,8 fs, a, << { fs es fs } \\ { d cs d } >> g, b, d g fs! g | % 40 << { \tc e' 8 cs' \bc as e ds e e' cs' b as! gs as } \\ { cs,8 e, g, cs b, cs fs, as, cs! fs es fs } >> | % 41 << { fs4. r4 r8 b4. r4 r8 } \\ { d 4. ~ d8 cs d ds4. ~ ds8 cs! ds! } >> | % 42 << { b4. r4 r8 s4. s4. } \\ { e4. ~ e8 fs g a8 r r b8 r r } >> | % 43 e 8 r r r4 r8 r2. | % 44 r 2. r4 r8 r r e' | % 45 a'8 e' c' a gs a g'! e' cs' a gs! a | % 46 f'8 d' bf a cs' d' bf! g e cs a g | % 47 f 8 a cs' d' a f d f gs a f d | % 48 b,!8 d gs a, d f gs, b, d f e d | % 49 c 8 b, a, e4 e,8 a,8 cs e a4 % 50 } \override Staff.RehearsalMark #'direction = #-1 \override Score.RehearsalMark #'extra-offset = #'( -0.6 . 0.0 ) \mark \markup { \musicglyph #"scripts.dfermata" } } >> \layout { \context { \Score \remove "Mark_engraver" } \context { \Staff \consists "Mark_engraver" } } \header { piece = "6. Gigue" } \midi { } }