\version "2.14.2" markings = {\time 2/2 \mark "Adagio" s1*15 \bar "||"} incmidi = "midiadagio.ly" %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % % One source, Dover Publications (an unabridged republication of urtext % % originally published by C. F. Peters, n.d.) states "For legal reasons this title % % cannot be offered or sold in the Federal Republic of Germany and West Berlin." % % Other urtext and other pieces (from late 1800's) consulted had no such % % disclaimer. If you reside and/or are a citizen of Germany, please consult your % % local laws before downloading or using this piece. % % Please note that there are some problems with the original score (lots of % % errors, poor printing, and omissions). I have corrected what I could find, but % % most certainly missed some. Please let me know if you find any problems so that % % I may update the file for everyone. % % Due to many requests from personal friends, I have included the whole % % score, the score broken down to the four movements, and all the individual % % instrument parts. This increases the total zip size, but I included them all % % because of the many requests for these formats. Karmically, Deborah % % % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% flautoI = \relative c'' { \key ees \major ees2\ff r4\fermata r8. g16 g2 r4\fermata r8. bes16 bes2 r4\fermata r4 r1 f2.\sfp r4 r1 g2.\sfp r4 R1*8 } flautoII = \relative c'' { \key ees \major ees2\ff r4\fermata r8. ees16 ees2 r4\fermata r8. ees16 ees2 r4\fermata r4 r1 ees2.\sfp r4 r1 des2.\sfp r4 R1*8 } oboeI = \relative c'' { \key ees \major ees2\ff r4\fermata r8. g16 g2 r4\fermata r8. bes16 bes2 r4\fermata r4 r1 f2.\sfp r4 r1 g2.\sfp r4 R1*6 r2 ges\p f1 } oboeII = \relative c'' { \key ees \major ees2\ff r4\fermata r8. ees16 ees2 r4\fermata r8. ees16 ees2 r4\fermata r4 r1 ees2.\sfp r4 r1 des2.\sfp r4 R1*6 r2 ees\p ~ ees d } clarinettibI = \relative c'' { \key f \major c2\ff r4\fermata r8. f16 f2 r4\fermata r8. f16 f2 r4\fermata r4 r1 d2.\sfp r4 r1 c2.\sfp r4 r1 r r r r r4 c2\sfp r4 r d2\sfp r4 r1 } clarinettibII = \relative c'' { \key f \major a2\ff r4\fermata r8. a16 a2 r4\fermata r8. c16 c2 r4\fermata r4 r1 d2.\sfp r4 r1 c2.\sfp r4 r1 r r r r r4 c2 r4 r d2 r4 r1 } fagottoI = \relative c { \key ees \major ees2\ff r4\fermata r8. c'16 c2 r4\fermata r8. g16 g2 r4\fermata r4 aes,4..\p( c16) ees4..( c16) aes1\sfp bes4..( des16) g4..( des16) bes1\sfp c'4\p r8. c16 bes4 r8. bes16( aes2) r4 bes( c) r8. c16( bes4) r8. bes16( a2) r4 bes4 c2( ces) bes r4 bes\sf( a2\p) r4 a( bes) r4 bes, r } fagottoII = \relative c { \key ees \major ees2\ff r4\fermata r8. c'16 c2 r4\fermata r8. g16 g2 r4\fermata r4 aes,4.. c16 ees4.. c16 aes1\sfp bes4.. des16 g4.. des16 bes1\sfp c'4\p r8. c16 bes4 r8. bes16 aes2 r4 bes c r8. c16 bes4 r8. bes16 a2 r4 bes4 c2 ces bes r4 bes\sf a2\p r4 a bes r4 bes, r } corniesI = \relative c'' { g2\ff r4\fermata r8. c16 c2 r4\fermata r8. g16 g2 r4\fermata r r1 c2.\sfp r4 r1 c2.\sfp r4 r1 r r r r r4 g2\sfp r4 r c2\sfp r4 r1 } corniesII = \relative c'' { c,2 r4\fermata r8. e16 e2 r4\fermata r8. c16 c2 r4\fermata r r1 c2.\sfp r4 r1 c2.\sfp r4 r1 r r r r r4 g'2\sfp r4 r c,2\sfp r4 r1 } trombeesI = \relative c'' { g2\ff r4\fermata r8. c16 c2 r4\fermata r8. g16 g2 r4\fermata r r1 c2.\sfp r4 r1 c2.\sfp r4 R1*8 } trombeesII = \relative c'' { c,2 r4\fermata r8. e16 e2 r4\fermata r8. c16 c2 r4\fermata r r1 c2. r4 r1 c2. r4 R1*8 } timpani = \relative c { e2\ff r4\fermata r8. e16 e2 r4\fermata r8. e16 e2 r4\fermata r r1 e4\f r r2 r1 e4\sf r r2 R1*8 } trombonealto = \relative c { \key ees \major g'2\ff r4\fermata r8. ees'16 ees2 r4\fermata r8. ees16 ees2 r4\fermata r r1 c2.\sfp r4 r1 des2.\sfp r4 r1 r4 ees\p ~ ees r r1 r4 ees ~ ees r r1 r4 d2\mf r4 r c2\mf r4 r ees\p r d } trombonetenor = \relative c { \key ees \major ees'2\ff r4\fermata r8. g16 g2 r4\fermata r8. d'16 d2 r4\fermata r r1 f,2.\sfp r4 r1 g2.\sfp r4 r1 r4 f-.\p ~ f-. r r1 r4 f-. ~ f-. r r1 r4 f2\mf r4 r ges2\mf r4 r f\p r f } trombonebasso = \relative c { \key ees \major ees2\ff r4\fermata r8. c16 c2 r4\fermata r8. g16 g2 r4\fermata r r1 aes2.\sfp r4 r1 bes2.\sfp r4 r1 r4 aes'-.\p ~ aes-. r r1 r4 a-. ~ a-. r r1 r4 bes,2\mf r4 r a2\mf r4 r bes\p r bes } violinoI = \relative c' { \key ees \major 2\ff r4\fermata r8. 16 2 r4\fermata r8. 16 2 r4\fermata r8. \times 2/3 {bes32\p( aes g} f4) f2 f4 ~ f\sf f16( aes c aes) f4 f\p( g) g2 g4( g)\sf( g16)( bes des bes) g4 g\p( aes) r8. aes16( g4) r8. g16( f2) r4 g( aes) r8. aes16( ges4) r8. ges16( f2) r4 g4( aes) r8. aes16( a4) r8. a16( bes2) r4 bes\sf( c2) r4 ees\p( f,) r bes r } violinoII = \relative c' { \key ees \major 2\ff r4\fermata r8. 16 2 r4\fermata r8. 16 2 r4\fermata r 4\p 2 4 ~ 2 4(\p ) 2 4 ~ 4 2 4(\p ees2) ees4 ~ ees8 ees4\cresc ees ees ees8\p ~ ees4 ees2 ees4 ~ ees8\p ees4\decresc ees ees ees8\p ~ ees4 ees2 ees4( d2) r4 d4\sf( ees2) r4 ges\p( ees) r d r } viola = \relative c { \key ees \major ees2\ff r4\fermata r8. c''16 c2 r4\fermata r8. g16 g2 r4\fermata r aes,4\p aes2 aes4 ~ aes\sf aes2 aes4\p( bes) bes2 bes4 ~ bes\f bes2 bes4\p( c) r8. c16( bes4) r8. bes16( aes2) r4 bes( c) r8. c16( bes4) r8. bes16( c2) r4 des( c) r8. c16( ces4) r8. ces16( bes2) r4 f'4\sf( ges2) r4 c,4\p( bes) r aes r } violoncello = \relative c { \key ees \major \slurUp \stemUp ees2\ff r4\fermata r8. c'16 c2 r4\fermata r8. g16 g2 r4\fermata r4 aes,4..\p( c16) ees4..( c16) aes1\sfp bes4..( des16) g4..( des16) bes1\sfp c'4\p r8. c16( bes4) r8. bes16( aes2) r4 bes( c) r8. c16( bes4) r8. bes16 a2 r4 bes4( c) r8. c16( ces4) r8. ces16( bes2) r4 bes\sf( a2\p) r4 a( bes) r4 bes, r } contrabasso = \relative c { \key ees \major ees2\ff r4\fermata r8. c'16 c2 r4\fermata r8. g16 g2 r4\fermata r4 aes,4..\p( c16) ees4..( c16) aes1\sfp bes4..( des16) g4..( des16) bes1\sfp R1*7 r2 bes4 r }