%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % FICHIER SchubertF-D776.ly % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % FRANZ SCHUBERT: Gesang "Du bist die Ruh", für eine Singstimme mit Klavierbegleitung % AVEC SORTIES PARTITION ET MIDI SEPAREES % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \version "2.11.34" \include "italiano.ly" \paper { %#(set-paper-size "a4") %#(set-paper-size "letter") line-width = 180\mm between-system-padding = #2 oddHeaderMarkup = \markup \fill-line { " " { \italic "♫ Franz Schubert: Du bist die Ruh (D 776) ♫" } \fromproperty #'page:page-number-string } evenHeaderMarkup = \markup \fill-line { \fromproperty #'page:page-number-string { \italic "♫ Franz Schubert: Du bist die Ruh (D 776) ♫" } " " } #(ly:set-option 'point-and-click #f) } \header { title = \markup { \fontsize #1.5 "Du bist die Ruh" } subsubtitle = " " poet = \markup { \bold "Friedrich Rückert" \small "(1788-1866)" } composer = \markup \center-align { \fontsize #3 \bold "Franz Schubert" \small "(1797-1828)" "D 776 (Op. 59, No 3, 1823)" } % MUTOPIA mutopiatitle = "Du bist die Ruh" mutopiacomposer = "SchubertF" mutopiapoet = "Friedrich Rückert (1788-1866)" mutopiaopus = "D.776 (Op. 59, No. 3)" mutopiainstrument = "Voice and Piano" date = "1823" source = "C.F. Peters (Band I)" style = "Romantic" copyright = "Public Domain" maintainer = "Ph. Raynaud" moreInfo = "A source is freely available at http://www.dlib.indiana.edu/variations/scores/" footer = "Mutopia-2007/10/13-1053" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % STRUCTURE GENERALE DU FICHIER % % Les sorties Partition et Midi sont dissociées (le volume de la sortie Midi a été affiné). % % - IDENTIFICATEURS DE FONCTIONS % A. POEME % B. NOTES: B1. MÉLODIE % B3. PIANO HAUT: VOIX I, II et III B4. PIANO BAS: VOIX I, II, III ET IV % C. DYNAMIQUES PARTITION: C1. MÉLODIE C2. PIANO % D. DYNAMIQUES MIDI: D1. MÉLODIE D2. PIANO % E. SORTIE PARTITION % F. SORTIE MIDI % % BIENVENUE A TOUTE SUGGESTION POUR AMELIORER LA PARTITION, LA SORTIE MIDI OU LE CODAGE %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % IDENTIFICATEURS DE FONCTIONS %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % %----- TONALITÉS ET MESURES KEYTIME = { \key mib \major \time 3/8 } %----- MOUVEMENT MOVEMENT = \markup { \bold \large { \hspace #-4.0 \italic "Langsam." } } %----- VARIER LA HAUTEUR D'UNE BARRE DE LIGATURE BEAMPOS = #(define-music-function (parser location beg-end) (pair?) #{ \once \override Beam #'positions = #$beg-end #}) %----- AUGMENTER LA HAUTEUR D'UNE LIAISON DE PHRASÉ PSLURPOS = #(define-music-function (parser location beg-end) (pair?) #{ \once \override PhrasingSlur #'positions = #$beg-end #}) %----- DÉPLACER UNE NOTEHSHIFT NOTEHSHIFT = #(define-music-function (parser location beg-end) (number?) #{ \once \override NoteColumn #'force-hshift = #$beg-end #}) IGNORECOLL = \once \override NoteColumn #'ignore-collision = ##t %----- DÉPLACER UN DOTEXO DOTEXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override Dots #'extra-offset = #$beg-end #}) %----- DÉPLACER UNE DYNAMIQUE DYNEXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override DynamicText #'extra-offset = #$beg-end #}) PINEXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override Hairpin #'extra-offset = #$beg-end #}) %----- MARKUP: PAUSE 1 MESURE PAUSEun = \markup { \hspace #0.3 \bold "1" } PAUSEdeux = \markup { \hspace #-0.1 \bold "1" } PAUSEtrois = \markup { \hspace #0.15 \bold "1" } PAUSEquatre = \markup { \hspace #-0.2 \bold "1" } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A. POÈME %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% poeme = \lyricmode { \set fontSize = #-0.5 Du bist die Ruh' Der Frie -- de mild, Die Sehn -- sucht du Und was sie stillt. Ich wei -- he dir Voll Lust und Schmerz Zur Woh -- nung hier Mein Aug' und Herz, Mein Aug' und Herz. Kehr' ein bei mir, Und schlie -- ße du Still hin -- ter dir Die Pfor -- ten zu. Treib an -- dern Schmerz Aus die -- ser Brust! Voll sei dies Herz Von dei -- ner Lust, Von dei -- ner Lust. Dies Au -- gen -- zelt Von dei -- nem Glanz Al -- lein er -- hellt, O füll' es ganz, O füll' es ganz. Dies Au -- gen -- zelt Von dei -- nem Glanz Al -- lein er -- hellt, O füll' es ganz, O füll' es ganz. } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B. NOTES %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B1. NOTES MÉLODIE %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% meloNote = \relative do'' { % 1 R4.*5 R4.*2 % 8 sib8 sib8. sib16 do4 do8 mib4 re8 % 11 mib4. sib8 sib8. sib16 do4 do8 mib4 re8 mib4. % 16 do8 do8. do16 do4( sib8) la16[( sib)] do[( re)] mib16.[( re32)] sib4 r8 do8 do8. do16 do4( sib8) % 22 lab!16[( sib)] do[( re)] mib16.[( re32)] mib4( sol,8) fa16[( sol)] lab[( la)] sib16.[( la32)] sib4( mib,8) % 26-30 R4.*5 % 31 sib'8 sib8. sib16 do4 do8 mib4 re8 % 34 mib4. sib8 sib8. sib16 do4 do8 mib4 re8 mib4. % 39 do8 do8. do16 do4( sib8) la16[( sib)] do[( re)] mib16.[( re32)] sib4. do8 do8. re16 do4( sib8) % 45 lab!16[( sib)] do[( re)] mib16.[( re32)] mib4( sol,8) fa16[( sol)] lab[( la)] sib16.[( la32)] sib4( mib,8) % 49-53 R4.*5 % 54 sib'8 sib8. sib16 dob4 dob8 reb4 reb8 % 57 mib4 mib8 fa4 fa8 sol!4.( lab4.) R4. % 62 lab,16[( sib)] do[( re)] mib16.[( re32)] mib4( sol,8) fa16[( sol)] lab[( la)] sib16.[( la32)] sib4( mib,8) % 66 R4.*2 % 68 sib'8 sib8. sib16 dob4 dob8 fab4 fab8 % 71 mib4 mib8 fa!4 fa8 sol!4.( lab4.) R4. lab,16[( sib)] do[( re)] mib16.[( re32)] % 77 mib4( sol,8) fa16[( sol)] lab[( la)] sib16.[( la32)] sib4. ~ sib4 r8 % 81-82 R4.*2 \bar "||" } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ POUR LA PARTITION meloNotePart = { \clef treble \KEYTIME \set autoBeaming = ##f \meloNote } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ POUR LE MIDI meloNoteMidi = { \KEYTIME \set Staff.midiInstrument = "pan flute" \set Staff.midiMinimumVolume = #0.2 \set Staff.midiMaximumVolume = #1 \meloNote } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B2. NOTES PIANO HAUT %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B21. NOTES PIANO HAUT VOIX 1 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% pianoHautI = \relative do'' { %--------------------------------------------------------------------- 1-5: une seule voix \oneVoice sol16([ sib sol sib sol sib] sol16[ do sol do sol do]) do16([ fa, do' fa, sib fa]) mib'4.( 4.) \break %--------------------------------------------------------------------- 6-7: VOIX 1 \voiceOne sib'4. ~ sib8 %--------------------------------------------------------------------- 7-9: une seule voix \oneVoice sol,16[( sib sol sib)] sol16([ sib sol sib sol sib] sol16[ do sol do sol do]) %--------------------------------------------------------------------- 10-11: VOIX 1 \voiceOne mib4( re8 mib4.) \break %--------------------------------------------------------------------- 12-13: une seule voix \oneVoice sol,16[ sib sol sib sol sib] sol16[ do sol do sol do] %--------------------------------------------------------------------- 14-15: VOIX 1 \voiceOne mib4( re8 mib4.) %--------------------------------------------------------------------- 16-25: une seule voix \oneVoice 16[ do do do] fa,16[ do' fa, do' fa, sib] \break 16[ la do' la] 16[ sib' sib' fa sib] 16[ do do do] % 21 fa,16[ do' fa, do' fa, sib] mib,16[ lab! mib lab mib lab] \break sol!16[ mib sol mib sol mib] re16[ fa re fa re fa] mib4. %--------------------------------------------------------------------- 26-30: VOIX 1 \voiceOne re16([ lab' dob,_> fa sib, re] mib16[ sol do,! mib sib mib]) re16([ lab' dob,_> fa sib, re]) \break \BEAMPOS #'(3.4 . 4.4) mib16\([ fa sol lab \grace { \BEAMPOS #'(2.1 . 2.4) sib16_([ do] } sib16.) la32]\) sib4. %--------------------------------------------------------------------- 31-32: une seule voix \oneVoice sol16[ sib sol sib sol sib] sol16[ do sol do sol do] %--------------------------------------------------------------------- 33-34: VOIX 1 \voiceOne mib4( re8 mib4.) \break %--------------------------------------------------------------------- 35-36: une seule voix \oneVoice sol,16[ sib sol sib sol sib] sol16[ do sol do sol do] %--------------------------------------------------------------------- 37-38: VOIX 1 \voiceOne mib4( re8 mib4.) %--------------------------------------------------------------------- 39-48: une seule voix \oneVoice 16[ do do do] fa,16[ do' fa, do' fa, sib] \break 16[ la do' la] 16[ sib' sib' fa sib] 16->[ do' do' do'] fa,16[ do' fa, do' fa, sib] % 45 mib,16[ lab! mib lab mib lab] sol16[ mib sol mib sol mib] \break re16[ fa re fa re fa] mib4. %--------------------------------------------------------------------- 49-53: VOIX 1 \voiceOne re16([ lab' dob, fa sib, re] mib[ sol do,! mib sib mib]) re([ lab' dob,_> fa sib, re]) \BEAMPOS #'(3.4 . 4.4) mib16\([ fa sol lab \grace { \BEAMPOS #'(2.1 . 2.4) sib16_([ do] } sib16.->) la32]\) \break sib4. %--------------------------------------------------------------------- 54-55: une seule voix \oneVoice sol16([ sib sol sib sol sib]) solb16[ dob solb dob solb dob] %--------------------------------------------------------------------- 56-58: VOIX 1 \voiceOne reb4. \IGNORECOLL \NOTEHSHIFT #-2 mib4. \break \IGNORECOLL \NOTEHSHIFT #-2 fa4. %--------------------------------------------------------------------- 59-65: une seule voix \oneVoice \set doubleSlurs = ##t 4.( 4.) \set doubleSlurs = ##f R4. mib16[ lab mib lab mib lab] sol16[ mib sol mib sol mib] re16[ fa re fa re fa]( \break mib4.) %--------------------------------------------------------------------- 66: VOIX 1 \voiceOne \BEAMPOS #'(3.4 . 4.4) fa16\([ sol lab la \grace { \BEAMPOS #'(2.1 . 2.4) sib16_([ do] } sib16.->) la32]\) %--------------------------------------------------------------------- 67-69: une seule voix \oneVoice 4. sol16([ sib sol sib sol sib]) solb16[ dob solb dob solb dob] \break %--------------------------------------------------------------------- 70-72: VOIX 1 \voiceOne reb4. \IGNORECOLL \NOTEHSHIFT #-2 mib4. \IGNORECOLL \NOTEHSHIFT #-2 fa4. %--------------------------------------------------------------------- 73-78: une seule voix \oneVoice \set doubleSlurs = ##t 4.( 4.) \set doubleSlurs = ##f R4. R4. \break \PSLURPOS #'(-1 . 1) mib'16\([ fa sol lab \grace { \stemUp sib16[ do] } \stemNeutral sib16.-> la32]\) 4.( %--------------------------------------------------------------------- 79: VOIX 1 \voiceOne mib8) s4 %--------------------------------------------------------------------- 80-82: une seule voix \oneVoice \set doubleSlurs = ##t 4.( \set doubleSlurs = ##f 4) ^( sol8 4.) \bar "||" } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B22. NOTES PIANO HAUT VOIX 2 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% pianoHautII = \relative do'' { %--------------------------------------------------------------------- 1-5: une seule voix \voiceTwo s4.*5 %--------------------------------------------------------------------- 6-7: VOIX 2 mib8[ re16 do re8] mib8 s4 %--------------------------------------------------------------------- 8-9: une seule voix s4.*2 %--------------------------------------------------------------------- 10-11: VOIX 2 sol,16[ sib sol sib lab sib] sol16[ sib sol sib sol sib] %--------------------------------------------------------------------- 12-13: une seule voix s4.*2 %--------------------------------------------------------------------- 14-15: VOIX 2 sol16[ sib sol sib lab sib] sol16[ sib sol sib sol sib] %--------------------------------------------------------------------- 16-25: une seule voix s4.*10 %--------------------------------------------------------------------- 26-30: VOIX 2 lab,4. mib'8[ do!_> sib] lab4. sol4 r8 mib'16_([ sol mib sol mib sol]) %--------------------------------------------------------------------- 31-32: une seule voix s4.*2 %--------------------------------------------------------------------- 33-34: VOIX 2 sol16[ sib sol sib lab sib] sol16[ sib sol sib sol sib] %--------------------------------------------------------------------- 35-36: une seule voix s4.*2 %--------------------------------------------------------------------- 37-38: VOIX 2 sol16[ sib sol sib lab sib] sol16[ sib sol sib sol sib] %--------------------------------------------------------------------- 39-48: une seule voix s4.*10 %--------------------------------------------------------------------- 49-53: VOIX 2 re,8[ dob_> sib] mib8[ do!_> sib] lab4. sol4 r8 mib'16_([ sol mib sol mib sol]) %--------------------------------------------------------------------- 54-55: une seule voix s4.*2 %--------------------------------------------------------------------- 56-58: VOIX 2 dob16[ solb dob solb sib solb] solb16[ mib solb mib solb mib] sib'16[ fa sib fa sib fa] %--------------------------------------------------------------------- 59-65: une seule voix s4.*7 %--------------------------------------------------------------------- 66: VOIX 2 re4. %--------------------------------------------------------------------- 67-69: une seule voix s4.*3 %--------------------------------------------------------------------- 70-72: VOIX 2 dob'16[ solb dob solb sib solb] solb16[ mib solb mib solb mib] sib'16[ fa sib fa sib fa] %--------------------------------------------------------------------- 73-78: une seule voix s4.*6 %--------------------------------------------------------------------- 79: VOIX 2 \PSLURPOS #'(-1 . 1) mib16^\([ fa sol lab \grace { \stemUp sib16[ do] } \stemNeutral sib16. la32]\) %--------------------------------------------------------------------- 80-82: une seule voix s4.*3 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B23. NOTES PIANO HAUT VOIX 3 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% pianoHautIII = \relative do'' { \voiceThree %--------------------------------------------------------------------- 1-56 ---- s4.*56 %--------------------------------------------------------------------- 57-58: VOIX 3 \NOTEHSHIFT #2 reb4 dob8 \NOTEHSHIFT #2 mib4 re!8 %--------------------------------------------------------------------- 59-70 ---- s4.*12 %--------------------------------------------------------------------- 71-72: VOIX 3 \NOTEHSHIFT #2 reb4( dob8) \NOTEHSHIFT #2 mib4( re!8) %--------------------------------------------------------------------- 73-82 ---- s4.*10 } %%%%%%%%%%%%%%%%%%%% COMBINAISON DES VOIX pianoHautNote = { << \context Voice = hautI { \pianoHautI } \context Voice = hautIII { \pianoHautIII } \context Voice = hautII { \pianoHautII } >> } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ POUR LA PARTITION pianoHautNotePart = { \clef treble \KEYTIME \set autoBeaming = ##f s1*0 ^\MOVEMENT \pianoHautNote } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ POUR LE MIDI pianoHautNoteMidi = { \KEYTIME \set Staff.midiInstrument = "acoustic grand" \pianoHautNote } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B3. NOTES PIANO BAS %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B31. NOTES PIANO BAS VOIX 1 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% pianoBasI = \relative do' { %--------------------------------------------------------------------- 1-3: une seule voix \oneVoice \clef treble mib8[ mib8. mib16] mib4. re4. %--------------------------------------------------------------------- 4-6: VOIX 1 \voiceOne sib'16[ mib, sib' mib, lab mib] lab16[ mib lab mib sol mib] \NOTEHSHIFT #2 fa16[ lab fa lab fa lab] %--------------------------------------------------------------------- 7-23: une seule voix \oneVoice 8 r8 r8 \clef bass mib8[ mib8. mib16] mib4. \set doubleSlurs = ##t 4( 8) \set doubleSlurs = ##f mib4. mib8[ mib8. mib16] mib4. % 14 \set doubleSlurs = ##t 4( \set doubleSlurs = ##f 8) ( mib4.) mib8[ mib8. mib16]( re4.) do8([ la fa]) sib4( re8) % 20 mib8[ mib8. mib16]( re4.) do4.( sib4.) %--------------------------------------------------------------------- 24-28: VOIX 1 \voiceOne lab4. sol16[ sib sol sib sol sib] re,8([ dob sib]) \IGNORECOLL \NOTEHSHIFT #-2 sol'4. re8([ dob sib]) %--------------------------------------------------------------------- 29-46: une seule voix \oneVoice 4 r8 s4. mib''8[ mib8. mib16] % 32 mib4. \set doubleSlurs = ##t 4( 8) \set doubleSlurs = ##f mib4. mib8[ mib8. mib16] mib4. \set doubleSlurs = ##t 4( 8) \set doubleSlurs = ##f % 38 mib4. mib8[ mib8. mib16]( re4.) do8([ la fa] sib4)( re8) mib8[ mib8. mib16]( % 44 re4.) do4.( sib4.) %--------------------------------------------------------------------- 47-52: VOIX 1 \voiceOne lab4.( sol16)[ sib sol sib sol sib] \BEAMPOS #'(3.4 . 2.4) \NOTEHSHIFT #2 re,8([ dob sib]) \NOTEHSHIFT #2 mib8_([ do! sib]) re8_([ dob sib]) 4 %--------------------------------------------------------------------- 52-63: une seule voix \oneVoice r8 s4. mib'8[ mib8. mib16] mib4. % 56 4. 4. 4. \set doubleSlurs = ##t 4.( 4.) \set doubleSlurs = ##f R4. do''4.( % 63 sib4.) %--------------------------------------------------------------------- 64-67: VOIX 1 \voiceOne lab4. sol16[ sib sol sib sol sib] lab16[ sib lab sib lab sib] sol16[ sib sol sib sol sib] %--------------------------------------------------------------------- 68-75: une seule voix \oneVoice mib8[ mib8. mib16] % 69 mib4. 4. 4. 4. \set doubleSlurs = ##t 4.( 4.) \set doubleSlurs = ##f R4. \clef treble %--------------------------------------------------------------------- 76-81: VOIX 1 \voiceOne mib'''16[ lab mib lab mib lab] sol16[ mib sol mib sol mib] \clef bass lab,16[ sib lab sib lab sib] sol16[ sib sol sib sol sib] lab16[ sib lab sib lab sib] sol16([ sib sol sib mib sib]) %--------------------------------------------------------------------- 82: une seule voix \oneVoice 4. } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B32. NOTES PIANO BAS VOIX 2 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% pianoBasII = \relative do' { %--------------------------------------------------------------------- 1-3: une seule voix \voiceTwo \clef treble s4.*3 %--------------------------------------------------------------------- 4-6: VOIX 2 do4. sib4. \NOTEHSHIFT #2 sib4. %--------------------------------------------------------------------- 7-23: une seule voix s4.*17 %--------------------------------------------------------------------- 24-28: VOIX 2 sib,4. mib,4. % 26 mib4. \NOTEHSHIFT #-1 mib4. mib4. %--------------------------------------------------------------------- 29-46: une seule voix s4.*18 %--------------------------------------------------------------------- 47-52: VOIX 2 sib'4.( mib,4.) ~ \NOTEHSHIFT #2 mib4. ~ % 50 \NOTEHSHIFT #2 mib4. ~ mib4. ~ mib4 s8 %--------------------------------------------------------------------- 53-63: une seule voix s4.*11 %--------------------------------------------------------------------- 64-67: VOIX 2 sib'4.( mib,4.) mib'4. mib4. %--------------------------------------------------------------------- 68-75: une seule voix s4.*8 \clef treble %--------------------------------------------------------------------- 76-81: VOIX 2 do'4.( sib4.) \clef bass sib,4. mib4. mib4. mib4. %--------------------------------------------------------------------- 82: une seule voix s4. } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B33. NOTES PIANO BAS VOIX 3 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% pianoBasIII = \relative do' { \voiceThree %--------------------------------------------------------------------- 1-5 ---- s4.*5 %--------------------------------------------------------------------- 6: VOIX 3 \DOTEXO #'(-2 . 0) sib'4. %--------------------------------------------------------------------- 7-48 ---- s4.*42 %--------------------------------------------------------------------- 49-50: VOIX 3 \DOTEXO #'(-2 . 0) lab,4. \DOTEXO #'(-2 . 0) sol4. %--------------------------------------------------------------------- 51-82 ---- s4.*32 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B34. NOTES PIANO BAS VOIX 4 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% pianoBasIV = \relative do' { \voiceFour %--------------------------------------------------------------------- 1-26 ---- s4.*26 %--------------------------------------------------------------------- 27: VOIX 4 \NOTEHSHIFT #1 mib,8^([ do! sib]) %--------------------------------------------------------------------- 28-82 ---- s4.*55 } %%%%%%%%%%%%%%%%%%%% COMBINAISON DES VOIX pianoBasNote = { << \context Voice = basI { \pianoBasI } \context Voice = basIII { \pianoBasIII } \context Voice = basII { \pianoBasII } \context Voice = basIV { \pianoBasIV } >> } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ POUR LA PARTITION pianoBasNotePart = { \clef bass \KEYTIME \set autoBeaming = ##f \pianoBasNote } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ POUR LE MIDI pianoBasNoteMidi = { \KEYTIME \set Staff.midiInstrument = "acoustic grand" \pianoBasNote } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C. DYNAMIQUES POUR LA PARTITION %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C1. DYNAMIQUES PARTITION MÉLODIE %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% meloDynPart = { % 1-60 s4.*60 % 61 s4.^\PAUSEun % 62-74 s4.*13 % 75 s4.^\PAUSEdeux % 76 \DYNEXO #'(1 . 0) s4. ^\pp % 77-82 s4.*6 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C2. DYNAMIQUES PARTITION PIANO %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% pianoDynPart = { \override DynamicTextSpanner #'dash-period = #-1.0 % 1 s4. \pp % 2 s4.*3 % 5 s4 \cr s16 s16 \! s4 \decr s16 s16 \! s4. % 8 \DYNEXO #'(2 . 0) s4. \pp % 9 s4.*30 % 39 \PINEXO #'(1.5 . 0) s8 \decr s8 s8 \! s4. % 41 s4.*2 % 43 \PINEXO #'(1.5 . 0) s8 \decr s8 s8 \! s4. % 45 s4.*12 % 57 s8 \setTextCresc s8 \cr s8 s4. \! s4. \f s4. % 61 s4.-\PAUSEtrois % 62 \DYNEXO #'(2 . 0) s4. \pp % 63 s4.*7 % 70 s8 \setTextCresc s8 \cr s8 s4. \! % 72 \PINEXO #'(1.5 . 0) s8 \cr s8 s8 \! s4. \f \decr s4 s8 \! s4.-\PAUSEquatre % 76 \DYNEXO #'(2 . 0) s4. \pp % 77-82 s4.*6 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% DYNAMIQUES SUPPLÉMENTAIRES POUR LA PORTÉE DU HAUT pianoHautDynPart = { % 1 s4.*25 % 26 s4. ^\pp % 27-82 s4.*56 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % D. DYNAMIQUES POUR MIDI %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % D1. DYNAMIQUES MIDI MÉLODIE %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% meloDynMidi = { % 1 s4.*7 % 8 s4. \pp % 9-75 s4.*67 % 76 s4. % 77-82 s4.*6 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % D2. DYNAMIQUES MIDI PIANO %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% pianoDynMidi = { % 1 s4. \pp % 2 s4.*3 % 5 s4. \cr s4. \! \mf \decr s4. \! \p % 8 s4. \pp % 9 s4.*22 % 31 s4.*6 % 37 s4. \cr s4. % 39 s4. \! \mp \decr s4. \! \pp % 41 s4. \cr s4. % 43 s4. \! \mp \decr s4. \! \pp % 45 s4.*12 % 57 s8 s4 \cr s4. s4. \! \f s4.*2 % 62 s4. \pp % 63 s4.*7 % 70 s8 s4 \cr s4. s4. s4. \! \f \decr s4. \! s4. % 76 s4. \pp % 77-82 s4.*6 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % E. SORTIE PARTITION (pas de \midi) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \score { << \new Voice = "mel" << \meloDynPart \meloNotePart >> \new Lyrics \lyricsto "mel" \poeme \new PianoStaff << \new Staff = "up" << \pianoHautDynPart \pianoHautNotePart >> \new Dynamics = "dynamics" \pianoDynPart \new Staff = "down" << \pianoBasNotePart >> >> >> \layout { \context { \RemoveEmptyStaffContext } \context { \Score \override VerticalAxisGroup #'remove-first = ##t \override SpacingSpanner #'spacing-increment = #1.0 } \context { \type "Engraver_group" \name Dynamics \alias Voice % So that \cresc works, for example. \consists "Output_property_engraver" \override VerticalAxisGroup #'minimum-Y-extent = #'(-0.5 . 0.5) \override DynamicLineSpanner #'Y-offset = #0 \consists "Script_engraver" \consists "Dynamic_engraver" \consists "Text_engraver" \override TextScript #'font-size = #2 % \override TextScript #'font-shape = #'italic \consists "Skip_event_swallow_translator" \consists "Axis_group_engraver" } \context { \PianoStaff \accepts Dynamics } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % F. SORTIE MIDI (pas de \layout) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % REDÉFINITION DES VOLUMES RESPECTIFS ATTRIBUÉS AUX DYNAMIQUES #(define my-absolute-volume-alist '()) #(set! my-absolute-volume-alist (append '( ("sf" . 1.00) ("ffff" . 1.00) ("fff" . 0.88) ("ff" . 0.75) ("f" . 0.62) ("mf" . 0.54) ("mp" . 0.46) ("p" . 0.40) ("pp" . 0.33) ("ppp" . 0.28) ("pppp" . 0.23) ("ppppp" . 0.16) ) my-absolute-volume-alist)) % DANS LE BLOC MIDI, CHAQUE DYNAMIQUE RENCONTRÉE PRENDRA LE NOUVEAU VOLUME SPÉCIFIÉ #(define (my-dynamic-absolute-volume s) (let ((entry (assoc s my-absolute-volume-alist))) (if entry (cdr entry)))) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % SILENCE AVANT MIDI (IL Y A PARFOIS UN CRAQUEMENT À L'OUVERTURE D'UN FICHIER MIDI) SILENCE = { \KEYTIME s4. } \score { << \new Voice = "mel" { \SILENCE << \meloNoteMidi \meloDynMidi >> } \new PianoStaff << \new Staff = "up" { \SILENCE << \pianoHautNoteMidi \pianoDynMidi >> } \new Staff = "down" { \SILENCE << \pianoBasNoteMidi \pianoDynMidi >> } >> >> \midi { \context { \Score % CHANGEMENT DU VOLUME DE SORTIE MIDI dynamicAbsoluteVolumeFunction = #my-dynamic-absolute-volume tempoWholesPerMinute = #(ly:make-moment 50 8) } \context { \PianoStaff \accepts Dynamics } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % FIN DU FICHIER SchubertF-D776.ly % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%