Rajesh Yadav (cinematographer)

Rajesh Yadav is an Indian cinematographer who works in Tamil, Telugu, Kannada & Malayalam film industry.[1]

Rajesh Yadav
Born
Tamil Nadu, India
Occupation(s)Cinematographer
Director of Photography
Years active2003-present

Career

Rajesh initially wanted to join SSI at Guindy for photography but since he could not get admission there he instead joined acting course at Taramani institute inspite of joining acting course he went only at cinematography department.[2]

He won Special Jury Award for Best cinematography (Pokkisham) in 7th Chennai International Film Festival.[3] Regarding his work in Pudhumugangal Thevai (2012), a critic wrote that "Rajesh Yadav is a revelation. Considering this is his debut as an actor, he has given an impressive performance. His cinematography, along with Saravanan, shines.[4]

Filmography
YearFilmLanguageNotes
2003Ee Abbai Chala ManchoduTelugu
Unnai CharanadaindhenTamil
2004RamakrishnaTamil
2005MazhaiTamil
2007LeeTamil
2008Raman Thediya SeethaiTamil
2009PokkishamTamil7th Chennai International Film Festival Special Jury Award for Best Cinematography

Kalaignar TV Award for Best Cinematography

2010Vandae MaatharamTamil & Malayalam
2012Pudhumugangal ThevaiTamilAlso actor
2013Sillunu Oru SandhippuTamil
2015ThilagarTamil[5]
Aavi KumarTamil
2016RanatantraKannada
Chennai 600028 II: Second InningsTamil
2018KismathKannada
2019VoterTelugu
ThirumanamTamil
2020Live TelecastTamilTelevision series on Disney+Hotstar
2023Tamil KudimaganTamil
KuikoTamil
TBAPartyTamilUnreleased

References
  1. Graphiyen Black. ""தன் படத்தைப் போட்டுக்காட்டி என் மன அழுத்தத்தைப் போக்கினார் பாலு மகேந்திரா!"- ஒளிப்பதிவாளர் ராஜேஷ் யாதவ்". Ananda Vikatan (in Tamil).
  2. "மழைக்கு நடுவே காதல்!". Kalki (in Tamil). 17 April 2005. pp. 56–58. Retrieved 19 April 2024.
  3. "Foreign locations give clear scenes". Behindwoods. 28 December 2009.
  4. Subramanian, Anupama. "A film within a film". Deccan Chronicle – via Facebook.
  5. Vandhana (21 March 2015). "Thilagar Review: A Violent Lesson". Rajesh Yadav's camera work is a definite plus, especially in the second half of the film
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