Ovid’ famous tale of Narcissus has for good reason long stood as unrivaled archetype for this. Guillaume de Lorris’ unnamed first-person narrator in his section of The Romance of the Rose, usually termed “the Dreamer,” is explicitly linked to Ovid’s archetype, initially espying his lady-love, the perfect rose, reflected in Narcissus’ watery mirror (so much does erotic infatuation often prove to be a kind of projection of self-love). I have found no parallel in Norse myth, though the tale of Óðinn’s sacrificing an eye in Mímir’s well (for wisdom, or in Wagner for Fricka) distinctly presages Guillaume’s image of round crystal stones, representing eyes, sunk within the limpid water. I have found no parallel in Ojibwe myth either. It is worth noting, however, that intellectual vanity has sometimes been read as Eve’s motive for partaking of the fruit of the tree of knowledge in the Hebrew myth of the Fall. The villainous matriarch in the tale of Snow White, with her peculiar relation to a mirror and her obsession with being “fairest,” also merits mention here.