Why is Erik Satie's Saraband 1 in A flat major?
There are so many F, C, and G flat accidentals through out the score it seem like it could have been notated in G sharp minor (enharmonic of A flat minor) with the tonic G sharp minor altered to be major at the beginning and end.
I get that altering the tonic chord would sort of contradict the key signature, but wouldn't the majority of the score then be much easier to read?
Maybe this is a sick joke from Satie, but his other scores don't seem to play musical enharomnic spelling jokes. His sense of humor came out in other ways.