I watched a Synthesia video of this music paper, and on the Synthesia is played that note as a A sharp, but I see no sign of playing an A sharp.
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17Incidentally, that's a weak-looking notation. I would prefer by far an 8va or 15va to 5 lines above the staff – and then it would be so much clearer to you that the flat is on the B. – Luke Sawczak Sep 07 '19 at 04:09
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4What is there about it that makes you believe it's A#? – Tim Sep 07 '19 at 15:49
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1@Tim Synthesia might have incorrectly identified the note as "A#" specifically, but I can't check because the "English Note Names: C, C#, D" option for labels is not a free feature. But its name hints at that possibility, and afaik MIDI files do not contain enharmonic information, at least not necessarily. – Leif Willerts Sep 07 '19 at 21:41
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2@LeifWillerts - just another example of really poor information from the 'net. It may well be the case, but how can such an organisation show a definite Bb, and then call it A#? English note names? Bb is Bb in anybody's language (apart from some guitarists..!) – Tim Sep 08 '19 at 10:19
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1@Tim In Norway we just call it a B. The unflattened note would be called H. Don't ask me why. Also, we add "-iss" after note names to signify sharps and "-ss" or "-ess" to signify flats (other than B) (yes, that means we have a note we call Ass). So note names aren't as universal as you claim. But a software as internationally used as synthesia really ought to have English names available by default. – Arthur Sep 08 '19 at 19:29
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2@Arthur - thanks for reminding me. Germany does the same. However, the vast majority of the Western world would name the dot on the line as Bb. And I don't believe anyone who is cognisant of music would call it A#. It's certainly a B by any other name! – Tim Sep 08 '19 at 20:01
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@Arthur - That's dreadful. The B/H thing, not the Ass thing. Having 7 note names with some # and b works well for Western music, where all the standard modes have 7 notes, one each from A to G. Having 12 note names would also be a reasonable system. But 8, with just B and H being separated like that, is so confusing! Which keys use H and which ones use B? Yes, I'm aware that this dates back at least as far as Bach, but I've never understood how this can be a good idea in equal temperament. – Adam Chalcraft Sep 08 '19 at 22:09
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1@AdamChalcraft B and H are not enharmonic in Norwegian. B = Hb (which is what English would call Bb). We just never say Hb (or "Hess", as it would be). And it's not a good idea, but having grown up with it, I use it quite naturally. – Arthur Sep 08 '19 at 22:12
4 Answers
It's not an A♯, it's a B♭. The key signature tells you that all B's you come across are flat hence this B is flat unless otherwise stated.
See the related question: Is a high A in the key of D flat still flat?
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The note in the music is a B note.Of some sort, not an A of any sort! Count up, and that line will be a B. As Dom says, because of the key signature of one flat, which happens to be the note B, then that note is played as B♭.
Whilst A♯ and B♭ are the same black key on the piano, they're not always the same note on other instruments - but that's for another day! And in any case, when there's a B♭ in the key signature, it's extremely rare that the same sounding note will be named (or written) as A♯.
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8@LaurencePayne I don't understand your comment: Neither Fis major nor E major have a B flat in their key signature. – Arsak Sep 06 '19 at 20:17
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1@LaurencePayne Arsak is saying something like if, in that F# major piece for your example, there came a Bb. That would be extremely rare. I hope that clears things up – MCMastery Sep 07 '19 at 03:08
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2@LaurencePayne - I missed your point. F#major, whether key or chord, hardly ever features in pieces that are in key Bb. Or pieces in F#maj don't have Bb notes. Please read the answer again. And this isn't guitar music anyway. – Tim Sep 07 '19 at 06:02
As others have explained, that note is B♭, not A♯. The B♭ in the key signature applies to all B notes - regardless of position on the stave.
It may help to think of the scales with a "each letter must appear only once" rule. So, for the key of F only one of the following is correct:
a) F, G, A, A♯, C, D, E, F
b) F, G, A, B♭, C, D, E, F
It is, of course, b) as each letter appears only once.
If we apply this rule to a more awkward key such as F♯ we get:
F♯, G♯, A♯, B, C♯, D♯, E♯, F♯
Notice here that we have to write E♯ to comply with the "each letter must appear only once" rule even though it would be simpler to write 'F'.
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This is a B flat. Technically, every flat is the sharp of is preceding note if it is not a natural half tone gap, at least within the same temperament. Thus, B flat is the same as A sharp.
Also, no instrument I am aware of has distinct keys or strings for A sharp and B flat.
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Most instruments don't even have distinct keys/strings for every note in a chromatic scale. – OrangeDog Sep 07 '19 at 22:01
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3Enharmonic tones like A# and Bb are completely identical under equal temperament (which is the most common system in the West, to my knowledge), but they have distinct frequencies in other tuning systems, like just intonation (used in string ensembles) and meantone. – Bladewood Sep 07 '19 at 22:23
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1@Bladewood enharmonic tones are identical in every 12-tone temperament, including meantone temperaments. – phoog Sep 08 '19 at 10:48
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@Bladewood What you comment is included by my answer. In both, equal temperature and well temperature, sharp and flat are the same (if not natural half tone step). – rexkogitans Sep 08 '19 at 12:04
