S-r-gG-m-P-d-nN-S
A Lalit-ang offshoot of Bhairav devised by gharana-blending genius Kumar Gandharva (also the creator of Bihad Bhairav, Rati Bhairav, Saheli Todi, Lagan Gandhar, & Madhusurja). The raga employs both variants of Ga and Ni, albeit with the komal shades rendered subtly – and compositions tend to focus on the ornamental space around Sa (e.g. S(NrSN)S; NS/GrS; S(RSN)S) (n.b. while some sources suggest a shuddha Dha, Gandharva’s recordings display clearer shades of the komal: as expected given its Lalit-Bhairav parentage). Vanishingly few recordings seem to exist: refer to Gandharva’s classic 1970s renditions (Kantha Re Janoo Re Janoo), as well as a 2019 sitar-accompanied take by his son Mukul Shivputra, and an excellent 2002 performance from Khushal Sharma. Further information welcome!
• Raga Megalist (365+) •
राग भावमत भैरव
Search | Glossary | Tags
• Hindustani Raga Index •
—Kumar Gandharva (~1970s)—
[bandish, e.g. 0:26] PN S/G(r) r(S)S, S(NrSN)S, S(NS)N (Nd)P, NS(r) S(NS)N, S(Nd), NS/G(r) r(S)S, (N)S S, N(SR), SR(SN)SN\dP P, NS(RSN)S (GS)G r(S)S, (N)S…
• Support open-access, ad-free raga musicology by joining my brand-new PATREON (launched mid-2024). And if you’re seeking to learn raga on non-standard instruments…get started with online lessons!
• Classifiers •
Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
• Prakriti: Shivmat Bhairav
–Swara Geometries–
• Core form: S–r–gG–m–P–d–nN–S
• Reverse: SrRGmPdDNS
• Negative: 5-4-3 (e.g. Malashree)
• Imperfect: 2 (Pa, Ni)
• Detached: none
• Symmetries: none
• Murchanas: Mand (on dha)
–Global Translations–
• Carnatic: (~Mayamalavagowla)
S-R1-G2-G3-M1-P-D1-N2-N3-S
• Jazz: Phrygian (dbl. 3rd/7th)
1-b2-b3-3-4-5-b6-b7-7-8
• Pitch classes (‘fret-jumps’):
0-1-3-4-5-7-8-10-11-0
(1–2–1–1–2–1–2–1–1)
o o • o o o • o o • o o o
• Tanpura: Sa–ma (+dha)
• Names: Bhavmat Bhairav, Bhavat Bhairav
• Transliterations: Hindi (भावमत भैरव)
—Mukul Shivputra (2019)—
• Get started with learning raga! •
Share these ragas! My site is 100% reliant on organic visitors (and none of your donations go to ad agencies…) – share this with fellow sonic searchers!
[Join my PATREON!]
Like everything on my site, the Raga Index will always remain open-access & ad-free: however, anti-corporate musicology doesn’t pay the bills! I put as much into these resources as time and finances allow – so, to hasten the project’s expansion, you can:
• Support the Raga Index! •
—Riyaz-focused notations & bandish—
—Resurrecting rare and ancient ragas—
—Further melodic & geometric analysis—
—Engaging with Hindustani performers—
—Ensuring that high-quality raga knowledge will remain open to all, at no cost: free from commercial motive!—
—Hindustani Raga Index—
An open-ended project seeking to bring North Indian raga closer to all who approach with open ears. Combines direct input from dozens of leading Hindustani artists with in-depth insights from music history, global theory, performance practice, cognitive science, and much more besides!
–Megalist (365+ ragas)–
• Search: Find your new favourite •
• Tags: Classifying the ragascape •
• Glossary: Raga jargon demystified •
• Murchanas: Swara-set rotations •
• Thaat: Bhatkhande’s base scales •
• Ragatable: Analytical connections •
• Tanpuras: Divine overtonal drones •
• Quotes: Musings from raga artists •
• Talas: Hindustani rhythm cycles •
• Instruments: Singing sculptures •
Sa | Re | Ga | Ma | Pa | Dha | Ni
[Random Raga]
—Search the Raga Index—
• Feedback / Contact •
George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!
• Projects & articles: full list •
[Join the Patreon!]
everything 100% ad-free and open-access