S-m-P-d-N-S
Stretched by the emptiness of a vast Sa–ma poorvang jump, Devranjani is formed by removing the re and Ga from Bhairav. Abhirang offers up both ‘shuddha Ni’ and ‘double Ni’ variants, with the former appearing to be predominant – while Bhatkhande’s early 20th-century works discuss the importance of the ascending phrase Sm, mP as a launchpoint into the denser uttarang space. Said to be of Carnatic origin (despite differing from the South Indian form of similar name) – and, though tantalising, remains rare.
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राग देवरंजनी
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—Abhijith Shenoy ‘Abhirang’ (2021)—
[refrain, e.g. 5:17] N\d N S, (N)SSm, Pm(PmPm)S, (N)Sm, (S)Pm (Pmd), N(dNdNd) S…
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Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
• Prakriti: (none found)
–Swara Geometries–
• Core form: S–m–P–d–N–S
• Reverse: SrGmPS
• Negative: 3-1-1-1-2-3-1
• Imperfect: 3 (Pa, dha, Ni)
• Detached: 2 (dha, Ni)
• Symmetries: none
• Murchanas: none
• Quirks: consecutive varjits (Re–Ga)
–Global Translations–
• Carnatic: ~Manohari
S-M1-P-D1-N3-S
• Jazz: Harmonic Minor (no 2nd/3rd)
1-4-5-b6-7-8
• Pitch classes (‘fret-jumps’):
0-5-7-8-11-0
(5–2–1–3–1)
o • • • • o • o o • • o o
• Tanpura: Sa–Pa (+Ni)
• Names: Devranjani, Devaranji, Devranji
• Transliterations: Hindi (देवरंजनी)
—S.N. Ratanjankar (~1960s)—
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