List of satirical films
This is a list of films that incorporate satire or were described as such. Made-for-television and animated films are also included.
References
- Ian Conrich and David Woods (eds), The Cinema of John Carpenter: The Technique of Terror (Wallflower Press, 2004), p. 17, ISBN 1 -904764-14-2.
- Cogan B, Kelso T (2009). Encyclopedia of Politics, the Media, and Popular Culture. ABC-CLIO, p. 119, ISBN 9780313343797
- "A Bucket of Blood (1959) - Roger Corman | Synopsis, Characteristics, Moods, Themes and Related | AllMovie".
- Davidson, Telly (2016). Culture War: How the '90s Made Us Who We Are Today (Whether We Like It or Not). Jefferson, North Carolina: McFarland & Company. ISBN 978-1-4766-6619-8. (p. 162)
- Davies, Clive (2015). Spinegrinder: The Movies Most Critics Won’t Write About. SCB Distributors. ISBN 9781909394063.
- Westfahl, Gary (2005). The Greenwood Encyclopedia of Science Fiction and Fantasy: Themes, Works, and Wonders, Volume 2, Greenwood Publishing Group, p. 694, ISBN 9780313329524. Quote: "Science fiction films often turn to satire to comment on contemporary trends. Dr Strangelove satirizes the politicians and scientists who plot nuclear war; Woody Allen's Sleeper (1973) brings a slapstick sensibility to the story of a contemporary man who awakens to find himself in a strange future world; and Paul Verhoeven's Robocop (1987) satirically comments upon the casual violence and corruption of its future world even as it indulges in a violent spectacle of its own."
- Webley SJ, Zackariasson P (2019). The Playful Undead and Video Games: Critical Analyses of Zombies and Gameplay. Routledge. ISBN 9781351716512. Quote: "Resident Evil 5 (Capcom, 2009) faced accusations of racism in its depiction of African zombies (Brock 2011; Pham 2009; Goldstein 2009), suggesting that the undead are not quite 'other' enough to alleviate moral and social concerns. This is an ironic turn in zombies' popular culture history, perhaps, given the satirical intentions of George A. Romero's original zombie movie, Night of the Living Dead (The Walter Reade Organization, 1968). The film was released just six months after the assassination of Martin Luther King Jr., and Romero sought to cast non-white actors in significant roles and went so far as to depict the lynching and murder of a key black character at the film's conclusion."
- "The Werewolf of Washington (1973) - Milton Moses Ginsberg, Nina Schulman | Synopsis, Characteristics, Moods, Themes and Related | AllMovie".
- Knöppler, Christian (2017). The Monster Always Returns: American Horror Films and Their Remakes, transcript Verlag, p. 91, ISBN 9783839437353.
- Nillson J (2013), American Film Satire in the 1990s: Hollywood Subversion, Springer, ISBN 9781137300997
- "1984 (1984) - Michael Radford | Synopsis, Characteristics, Moods, Themes and Related | AllMovie".
- Freudenburg, Kirk. Satires of Rome: Threatening Poses from Lucilius to Juvenal. Cambridge: Cambridge University Press, 2001. ISBN 0-521-00621-X.
- Levy, Emanuel (1999). Cinema of Outsiders: The Rise of American Independent Film. New York University Press. ISBN 0-8147-5123-7., p. 285.
- Lethem, Jonathan (2010). They Live: A Novel Approach to Cinema, Catapult, ISBN 9781593763930.
- Hughes, Howard (2014). Outer Limits: The Filmgoers’ Guide to the Great Science-Fiction Films. Bloomsbury Publishing. pgs. 230, 253. ISBN 9780857723932.
- Flanders, Judith (2014),The Making of Home: The 500-Year Story of How Our Houses Became Our Homes, Atlantic Books, p. 189, ISBN 9781782393788.
- "But I'm a Cheerleader (1999) - Jamie Babbit | Synopsis, Characteristics, Moods, Themes and Related | AllMovie".
- Fahy, Thomas, ed. (2012). The Philosophy of Horror. University Press of Kentucky. ISBN 978-0813136554., p. 121-3. Quote: "[E]xamining the film's satiric treatment of American capitalism and, by extension, a global economic order predicated upon class exploitation. Indeed, the economic system depicted in Land of the Dead has a remarkable parallel with Marx's representation of capitalist society. [...] THe besieged house is transformed into an entire city allegorically representing America and its relationship to the underdeveloped, exploited nations on the periphery of empire."
- "Idiocracy (2006) - Mike Judge | Synopsis, Characteristics, Moods, Themes and Related | AllMovie".
- "Long Pigs (2007) - Chris Power, Nathan Hynes | Synopsis, Characteristics, Moods, Themes and Related | AllMovie".
- Cowdell S, Fleming C, Hodge J (2015). Mimesis, Movies, and Media: Violence, Desire, and the Sacred, Volume 3. Bloomsbury Publishing USA, p. 107, ISBN 9781628924657.
- "Nightcrawler (2014) - Dan Gilroy | Synopsis, Characteristics, Moods, Themes and Related | AllMovie".
- "The Final Girls (2015) - Todd Strauss-Schulson, Paul Weitz | Synopsis, Characteristics, Moods, Themes and Related | AllMovie".
- Parker, Sean (2022-05-10). "Friend of the World: The Divine Comedy of Body Horror". Horror Obsessive. Retrieved 2022-07-17.
- Whipp, Glenn (October 6, 2022). "In 'Triangle of Sadness,' strained satire, and vomit, on the high seas". Los Angeles Times. Archived from the original on December 31, 2023. Retrieved January 2, 2024.
- Moskin, Julia (January 12, 2023). "'The Menu' Movie Serves Fine Dining on a Skewer". The New York Times. Archived from the original on September 20, 2023. Retrieved January 2, 2024.
- Bitel, Anton (2024-01-24). "Hemet, Or The Landlady Don't Drink Tea (2023)". Projected Figures. Archived from the original on 2024-01-24. Retrieved 2024-01-25.
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