Portal:Pan-Africanism

Garveyism is an aspect of black nationalism that refers to the economic, and political policies of UNIA-ACL founder Marcus Garvey. The ideology of Garveyism centers on the unification and empowerment of African-American men, women and children under the banner of their collective African descent, and the repatriation of African slave descendants and profits to the African continent. Garvey was fought by the African-American establishment in the U.S. An investigation by the Justice Department, directed by J. Edgar Hoover, led to Garvey's arrest on charges of mail fraud in January 1922, and his projects collapsed.

Marcus Mosiah Garvey Jr. ONH (17 August 1887 – 10 June 1940) was a Jamaican-born political leader, publisher, journalist, entrepreneur, and orator. He was President-General of the Universal Negro Improvement Association and African Communities League (UNIA-ACL). He also was President and one of the directors of the Black Star Line, a shipping and passenger line incorporated in Delaware. The Black Star Line went bankrupt and Garvey was imprisoned for mail fraud in the selling of its stock. His movement then rapidly collapsed.

Prior to the 20th century, leaders such as Prince Hall, Martin Delany, Edward Wilmot Blyden, and Henry Highland Garnet advocated the involvement of the African diaspora in African affairs. Garvey was unique in advancing a philosophy to inspire a global mass movement and economic empowerment focusing on Africa known as Garveyism. Garveyism would eventually inspire others, ranging from the Nation of Islam to the Rastafari movement (which proclaim Garvey as a prophet) and the Black Power Movement of the 1960s.

Africa has the longest record of human habitation in the world. The first hominins emerged 6-7 million years ago, and among the earliest anatomically modern human skulls found so far were discovered at Omo Kibish.

European archaeology, as well as that of North Africa, is generally divided into the Stone Age (comprising the Lower Paleolithic, the Middle Paleolithic, the Upper Paleolithic, the Mesolithic, and the Neolithic), the Bronze Age, and the Iron Age. For Africa south of the Sahara, African archaeology is classified in a slightly different way, with the Paleolithic generally divided into the Early Stone Age, the Middle Stone Age, and the Later Stone Age. After these three stages come the Pastoral Neolithic, the Iron Age and then later historical periods.

Africa's prehistory has been largely ignored, with the exception of research into early human evolution. However, it is overseen by the PanAfrican Archaeological Association, whose members consist of professional archaeologists from all over Africa.

African art describes the modern and historical paintings, sculptures, installations, and other visual culture from native or indigenous Africans and the African continent. The definition may also include the art of the native African, African diasporas, such as African American, Caribbean and other American art. Despite this diversity, there are some unifying artistic themes when considering the totality of the visual culture from the continent of Africa.

Masquerade, metalwork, sculpture, architecture, fiber art, and dance are important art forms across Africa and may be included in the study of African art. The term "African art" does not usually include the art of the North African areas along the Mediterranean coast, as such areas had long been part of different traditions. For more than a millennium, the art of such areas had formed part of Islamic art, although with many particular characteristics. The art of Ethiopia, with a long Christian tradition, is also different from that of most of Africa, where traditional African religion (with Islam in the north) was dominant until relatively recently. African art includes ancient art, Muslim art of North and West Africa, the Christian art of East Africa, and the ritualistic art of these and other regions. Most African sculpture was historically in wood and other natural materials that have not survived from earlier than, at most, a few centuries ago; older pottery figures can be found from a number of areas. Masks are important elements in the art of many peoples, along with human figures, often highly stylized. There is a vast variety of styles, often varying within the same context of origin depending on the use of the object, but wide regional trends are apparent; sculpture is most common among "groups of settled cultivators in the areas drained by the Niger and Congo rivers" in West Africa. Direct images of deities are relatively infrequent, but masks in particular are or were often made for religious ceremonies; today many are made for tourists as "airport art". Since the late 19th century there has been an increasing amount of African art in Western collections, the finest pieces of which are now prominently displayed.

African mask art has had an important influence on European Modernist art, which was inspired by their lack of concern for naturalistic depiction.

West African cultures developed bronze casting for reliefs, like the famous Benin Bronzes, to decorate palaces and for highly naturalistic royal heads from around the Bini town of Benin City, Edo State, in terracotta as well as metal, from the 12th–14th centuries. Akan goldweights are a form of small metal sculptures produced over the period 1400–1900; some apparently represent proverbs, contributing a narrative element rare in African sculpture; and royal regalia included impressive gold sculptured elements. Many West African figures are used in religious rituals and are often coated with materials placed on them for ceremonial offerings. The Mande-speaking peoples of the same region make pieces from wood with broad, flat surfaces and arms and legs shaped like cylinders. In Central Africa, however, the main distinguishing characteristics include heart-shaped faces that are curved inward and display patterns of circles and dots.